See avoiding and more dots on Flickr.
I often project emotions onto inanimate forms, aspirations onto moving objects. What is the natural home for an interestingly spun wood shaving? Where are those blobs of goo headed, and what do they think of each other? Tonight, I’ve done it with a quick code sketch. The behaviors are purely overlaid on top of the still images after they’ve been taken. Some dots are rejected by others, sometimes they’re bustling to work, or a connection is made across the room. These are simple stories for simple images, and I don’t pretend that they are clearly evinced without narrator intervention.